{
  "url": "https://pretalx.c3voc.de/camp2023/talk/ZUYRH9/",
  "id": 57665,
  "guid": "1c232ba5-b1d0-567a-b7a9-c1aa5f1e41ec",
  "date": "2023-08-16T21:00:00+02:00",
  "start": "21:00",
  "logo": "https://pretalx.c3voc.de/media/camp2023/submissions/ZUYRH9/adanew_CKwKpe0.png",
  "duration": "02:00",
  "room": "Culture Club",
  "slug": "camp2023-57665-ada",
  "title": "Ada",
  "subtitle": "",
  "track": "DJ Set",
  "type": "Performance",
  "language": "de",
  "abstract": "Her legendary live shows took her once around the world and back before her first album \"Blondie\" was featured in the top 10 of New York Times' best pop albums of 2004. Her second album \u201cMeine zarten Pfoten\u201d was released on DJ Koze\u2019s label Pampa Records. Hamburg concert hall tycoon and star author Tino Hanekamp writes: \u201cIn the broadest sense of the word, it\u2019s pop. But ultimately it\u2019s music that exudes so much warmth and tranquillity that it puts even the greatest bundle of nerves into a state of ultra-fine-tuned receptiveness.\u201d",
  "description": "Ada\u2019s journey begins with a coincidence. Band colleague visits singer to make music. Band colleague forgets groovebox at singer\u2019s house. Band colleague doesn\u2019t come round to pick it up for ages.\r\nHalf a year later, the boys from Areal Records think they aren\u2019t hearing right when Ada plays them two tracks she\u2019s put together (seemed a waste to have the thing just standing round). That\u2019s the story of how the tracks Blindhouse and Luckycharm (Areal 10) were created, which still bring a nostalgic tear to many people\u2019s eyes, like a signature in memory of the techno years 2002/2003 and the start of Ada\u2019s journey(s).\r\nAlthough the moment of their creation was particularly special, every moment since has been just as special for her. No matter if she plays records or a live set, primetime or downtempo, you can always feel her personal connection to music. It\u2019s almost as if she was best friends with the songs and treats them as respectfully as she treats her friends.\r\nSure \u2013 it wasn\u2019t just coincidence. Ada\u2019s tremendous will to express herself and an already existing steadfastness as a musician helped a lot. With so much singer/songwriter quality, calls for an album soon followed, and in 2004 her debut album \u201cBlondie\u201d became a mega success. From De:Bug to the New York Times, the critics were over the moon. It was to take six long years until the next album. Six years filled with brilliant co-operations, expressive remixes (such as \u201cGrand Canyon\u201d for Tracey Thorn from Everything But The Girl \u2013 released on her compilation CD \u201cAdaptations \u2013 Mixtape #1\u201d on Kompakt), and various singles. In addition, she has been keeping the \u201cCologne style\u201d flag flying with the magnificent group \u201cCologne Tape\u201d since 2009.\r\nHer legendary live shows took her once around the world and back again before her new album \u201cMeine zarten Pfoten\u201d was released on DJ Koze\u2019s label Pampa Records in 2011. Hamburg concert hall tycoon and star author Tino Hanekamp writes: \u201cIn the broadest sense of the word, it\u2019s pop. But ultimately it\u2019s music that exudes so much warmth and tranquillity that it puts even the greatest bundle of nerves into a state of ultra-fine-tuned receptiveness.\u201d\r\nAnd so the journey continues. Ada is sitting on her train, looking out of the window, enveloped by the most beautiful melodies. The warm sound of the railway tracks knows only one direction.\r\n\r\nhttps://pamparecords.com/t/artists/ada",
  "recording_license": "",
  "do_not_record": true,
  "persons": [],
  "links": [],
  "attachments": [],
  "room_id": "7fe8d330-843e-4f7f-a3c3-d502cab09140",
  "origin": "pretalx.c3voc.de"
}